The hate of two houses, the swords of the crest locked in translation. Two lovers, hell bent on making a statement, while giving the finger to the man, no pun intended.
Romeo, tall, dark and handsome. Eyes as clear as day and a smile that shatters hearts and mirrors alike. Dressed to impress, Levi Jeans, Gucci boots, Prada button down black collar shirt, revealing the gentle chest hair, teasing the eyes. The iconic star on the modern age, the James Dean of the 21st Century. Romeo, oh Romeo, where art thou Romeo. In the house of Bolshevik he dwells, captured by his parent’s generous materialistic affection. In his loveless tower, he nests and dreams of the outside world, what is behind those castle walls?
Julian, mystic baby blue eyes, dirty blonde with a laugh that captures an entire genre. A causal dresser, will wear a shirt from days ago, picks it up and sniffs it, if there is no B.O., he will wear it. Not content with being cooped up in and shelter, he is one with nature and lives day by day to the fullest. The legendary rebel, the dangerous being. In the House of the Tsar, he defies the elders, he defiles the rules of communist household, he selfishly confides in himself and lives for himself, and he believes he is the only person who cannot hurt himself, naive. Blissfully sits on a rock and salutes the sunset. A new dawn will come.
Romeo disputes that he must attend the annual Bolshevik ball extravaganza, yet is forced into it, enticed by the family heirlooms’. He slides on his mask, a pale black shimmer less facade. A limber smile peaks through the open mouth piece, he climbs into the black bronze car, and is escorted to turgid affair. Julian, excited for the chance to cause a stir amongst his families debacles with the Tsars, he attaches a glittered up, sparkled head piece, bound to attract attention and cause a riot in the minds of the family’s opposition. He gladly strides the family’s prized black stallion and gallops confidently towards the ball.
The music blaring, the masses caught in an alien dance, grinding and shaking to the beats of a music box. The glasses cheering each other on, the people laughing and conversating. Enter the dramatic unimpressed son, Romeo, a hint of a fake smile greets his square jaw line. He strides straight to the fish tank, he is like the fish, beautiful and idolised, yet he is trapped in a blue world much the same as the glorious goldfish. He wallows in misery. A sparkle to the left catches Romeos eye, Julian has graced the party with a grand entrance, he slides down the immaculate policed staircase railing straight into the centre of the dance floor and is greeted with a jeer of admiration. He owns the spotlight. Unknown to Romeo the masked bandit is none other the enemy, a Tsar.
The night transcends into a greater darkness, yet by the centre piece the water filled treasury called the fish tank, a lonely Romeo stares blindly into the glass, he places his hand on the glass, and proceeds to stroke the glass. He stares at his hands reflection as they follow each other up and down the water tank. He notices that the hand is larger than his, magnified by the water, he then takes on finger and slides towards the exit, and bang, the glass shatters, water, fish and glass invade the packed ballroom, yet, he is greeted with a smile from the now barrier less room. Who is this masked bandit, and why does he smile at the devastation. Romeo turns to run from the destruction, yet he hears the faint footsteps following his in the darkness. He turns and he greeted face to face by the bandit Julian. Quietly they stand and stare into each other’s radiance. No words uttered, only a connected understanding. They peer into each other’s souls. One loner and one rebel. Julian begins to untie Romeos mask, he falls to the floor with a silence. Julian shocked at the sight of the enemy, Romeo removes Julian’s mask and takes a step back and falls into a crystal clear pool, the splashes pierce the emptiness, he comes up for air. Thinking the enemy has fled, he is dragged out the pool by a worried Julian, lying on the shallow drenched steps, they begin to giggle at how dramatic the pool incident is. Content to sit there in each other’s grace, they sit, and ponder running away together. But, a loud bang is heard, a warning shot the master of the Bolshevik house stand with a gun pointing at Julian. ‘Jail this son of a bitch’, the guards surround him and pull his from Romeo. Romeo stand motionless is the pool, the raging insults run off his like water off a ducks back. He stands defiant, ‘Jail me to father’, the master is silenced by the request. ‘No, you will live a life locked in a tower like that harlot mother of yours ‘. Shackled, he is waltz up the stone stair case, to await his fate.
The next day he is greeted with sounds of an angry mob in the courtyard, he looks out the window and is faced with a terrible sight, Julian is tied to a post and has mountains of hay lying at his feet. The Master Bolshevik stands with a long, thick cigar, smoking and saying a speech of how Julian invaded his palace in attempt to defile and corrupt his only son. Julian and Romeo make a strong locked eye connection. The sadness of an untaken journey is felt in the air. The master see’s this and drops his cigar onto the hay, Julian goes up in flames. Cries and screams rain out of the marbled garden. Romeo see’s Julian in pain and leaps out of the window and falls to his tragic death. The lovers die together with a future unlived, a death made possible by other peoples ignorance and moralistic depravity. Love knows no bounds, let love live.
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